https://jasminpfefferkorn.com Jasmin Pfefferkorn Tue, 01 Aug 2023 21:01:31 +0000 https://jasminpfefferkorn.com en https://jasminpfefferkorn.com/homepage Wed, 24 Jun 2020 10:00:03 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/homepage Jasmin Pfefferkorn I acknowledge the Traditional Owners of the unceded land on which I work and live, the Wurundjeri Woi-wurrung peoples https://jasminpfefferkorn.com/about Thu, 09 Dec 2021 00:54:52 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/about about&nbsp;Postdoctoral Research FellowSchool of Culture &amp; Communication The University of Melbourne Research Fellow (Centre for AI and Digital Ethics) Melbourne Law School The University of Melbourne Research areas: Museum Studies; Critical AI; Digital and Computational Cultures; Affect Theory; Assemblage Systems; Cultural Studies; Visual Culture Leadership: Co-Founder and Director of CODED AESTHETICS research group Executive Board member of the Research Unit in Public Cultures, The University of Melbourne Steering Committee member of the Art, AI and Digital Ethics research stream, the Centre for Artificial Intelligence and Digital Ethics contact: jasmin.pfefferkorn@unimelb.edu.au <img width="433" height="640" width_o="433" height_o="640" data-src="https://freight.cargo.site/t/original/i/675b49843b5118934baf68b2ec2397d90c84d404bb8480c22b7f9bd57d146353/054120ff-55b8-4d08-9b8a-56aff7c66609.jpeg" data-mid="126889906" border="0" src="https://freight.cargo.site/w/433/i/675b49843b5118934baf68b2ec2397d90c84d404bb8480c22b7f9bd57d146353/054120ff-55b8-4d08-9b8a-56aff7c66609.jpeg" /> https://jasminpfefferkorn.com/current-research Thu, 09 Dec 2021 03:42:11 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/current-research current research Generative technology uptake in museum practice Generative technologies – machine learning, deep learning – are increasingly entering into museum practice. Their uptake raises ethical questions for institutions that play a significant role in our collective cultural memory. Exploring generative technology across curation, conservation, communication, communities, and collections, this research aims to unpack the role of emerging technologies within the museum assemblage, and the ethical tensions that arise as a result. Funded by The University of Melbourne, Melbourne Postdoctoral Fellowship Scheme CODED AESTHETICS An ongoing collaboration between Jasmin Pfefferkorn and Emilie K. Sunde.Our everyday activities are increasingly co-produced by machine learning (ML), as the computational enters areas of creative production, urban spaces, and cultural institutions. We explore and provide insights into how the digital is operationalized – in text to image AI, in computational photography, in natural language processing, biometric surveillance, among other processes. The generative potential of code is taking new forms. This has positioned us within a paradigmatic shift, which asks us to navigate new ways of seeing and making sense of sense-making. Our research is guided by two core questions: How are aesthetic processes – sense-making and world-building – emerging in the computational era? What interventions and insights can critical humanities scholars offer in exploring and contextualising these processes? CODED AESTHETICS aims to encourage transdisciplinary forms of knowledge sharing and production. There is a distinct two-way delay between the knowledge produced in the field of computer science (CS) and HASS disciplines. More than this, there is a gap between the knowledge produced by academics researching computational aesthetics, and knowledge accessible to the general public. Machine learning has created new epistemic boundaries. CODED AESTHETICS works to provide a comprehensive review of how computational perceptions inform and are informed by aesthetics. https://jasminpfefferkorn.com/past-research Tue, 01 Aug 2023 21:01:31 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/past-research past research AI &amp; Soft Ethics in the LibraryCollaboration between Vanessa Bartlett, Jasmin Pfefferkorn and State Library of Victoria (SLV) You can read about the project in an article by the project instigator at SLV, Ana Tiquia here:Slowing down, opening discussion and imagining futures: how we’re developing an AI ethics and policy approach at the Library Funded by State Library of Victoria Decentring Ethics: AI Art as MethodTechnological change always out-paces ethical governance, producing an uncertain space between what machines can do, and what is considered acceptable by diverse publics. This forthcoming edited volume argues that artists and cultural institutions are vital to the construction of a public ethics of human-machine assemblages. Working quickly, speculatively, and often provocatively, artists articulate ethical tensions as they emerge in the cultural domain, feeding the development of ethical governance. Observing a shift in public discourse that has spanned AI’s logical capability, to AI’s creative capability, we are now at a moment in time where AI’s ethical capability is coming to the forefront of discussion and debate. Funded by CAIDE Digital Photography: mediation, memory &amp; visual communication This project aims to address the social impact of major shifts in the production, distribution, viewing and storage of photographic images which have profoundly altered their everyday use. By adopting an interdisciplinary, user- centred approach to digitally networked photography, the project will provide a more holistic understanding of how photographs mediate communication, sociality and memory in the present. Expected outcomes include generating original empirical data, building international collaboration, and creating a new conceptual framework for assessing contemporary photographic practices. The research will provide community benefit by enabling insight into the social and ethical tensions affecting photography in the present.Funded by ARC Linkage Grant Finding Refuge: art, emergency and “imagining the unimaginable” in the resilient cityBringing together a multi-disciplinary team from the humanities, engineering and urban studies, it focuses on Refuge (2016-2021), a pioneering 6-year program hosted by City of Melbourne’s Arts House. Refuge put art at the centre of preparing for climate-related disaster by partnering artists with experts from Australian Red Cross, State Emergency Services (SES), Emergency Management Victoria (EMV), University of Melbourne, and local community organisations. This project will aggregate and catalogue the many materials Refuge has generated across scores of live events and preparatory and post-event workshops. This archive of images, videos, interviews, surveys and fieldnotes will be the basis for inquiry into how creativity: -shapes ways of knowing, feeling and relating that engage people as active participants in disaster preparedness; -brings siloed knowledges together to address complex problems; -contributes to social wellbeing as a facet of urban resilience.Funded by CAWRI, UoM Museums as AssemblageMuseums as Assemblage offers a new way of thinking about the dynamism of art museums. Using the theoretical concept of assemblage, this work unpacks relations between visitors, artists, museum staff, and the museum’s nonhuman components. This provides an analytical framework that celebrates the complexity of museums today. This work takes the Museum of Old and New Art (Mona) in Tasmania as its primary case study. Mona is widely recognised in the museum sector as a success story, and as emblematic of the changes in museums in the 21st century. To situate this case study in global trends, I draw on a range of examples from art museums across Australia, New Zealand, Europe and East Asia.Funded by ARC Linkage Grant The Social Value of Art Museums: TikTok, young adults and museum visitationThis project proposes that there is a timely opportunity to explore the ways in which young TikTok users evaluate their museum experience and how they express what it is they value about the museum. This aligns with a wider trajectory in museology towards a critical visitor-centered approach (Hooper-Greenhill 2006; Drotner 2019). Preliminary observational fieldwork by Pfefferkorn (2021) found that alongside the usual contenders of architecture and artwork (LaPlaca Cohen 2020), forms of sociality emerged as a central point of interest for TikTok users who upload content on art museums. One of the more under-explored themes of sociality to emerge on the TikTok platform is the museum as an ideal space for going on romantic dates. These insights into visitor perceptions are particularly timely in light of Covid-19 restrictions and recovery, where art museums find themselves in increasingly precarious economic positions and in need of further empirical support of their social value. Using a combination of semantic and image analysis of visitor uploads under the TikTok #artmuseum, we aim to locate key values as expressed by visitors.Results will then be interpreted for museums to support their planning activities and audience development. Funded by HoSIF, SCC UoM https://jasminpfefferkorn.com/published-works Wed, 08 Dec 2021 22:36:44 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/published-works published worksPfefferkorn, J. (2026)‘AI Art and the Productive Potential of Opacity’ in H. Barranha and L. D. Rivero-Moreno (eds.) Towards an Automated Art? Learning Machines, Human Creativity and Uncertainty. Lisbon: IHA-NOVA FCSH/ IN2PAST. (available here) Pfefferkorn, J. &amp; E. K. Sunde (2026) ‘The Model Museum: AI at the Museum-Museum Interface’ in Z. Papacharissi (ed.) Connective AI: Social (Ro)Bots, Play, Democracy, Routledge (available here) Bartlett, V. J. Pfefferkorn &amp; E. K. Sunde (eds.) (2025). Decentring Ethics: AI Art as Method. Open Humanitiies Press.(available here). The book advances a decentred approach to ethics. It draws on non-Western, ecocritical and feminist worldviews, and acknowledges the more-than-human as an agent with the capacity to act. We position AI art as 'method' – a process of working with, or in response to, the contemporary computational era. This expands the normative definition of AI art as art created with relative autonomy by computers. AI art as method frames ethics as situated, embodied and improvisational, whereby artists work with emergent ethical questions while challenging the more conservative frameworks of the cultural institutions they operate within. Calise, A. &amp; J. Pfefferkorn. (2025). ‘Production, not reproduction: generative art as technoheritage’. In Proceedings of the International Symposium on Electronic/Emerging Art: 2025, Seoul, Republic of Korea / no., 2025, pp.435-442.&nbsp; (available here) Pfefferkorn, J. (2024). ‘Montage, Memories, Machine: Seeing Photographically in Motion’. In Media Theory 8(1) pp. 133-158. (available here) McQuire, S., J. Pfefferkorn, E. K. Sunde, C. Lury and D. Palmer. (2024). ‘Introduction: Seeing Photographically’. In Media Theory 8(1) pp. 1-18. (available here) Pfefferkorn, J. (2023). Museums as Assemblage Oxon/ New York: Routledge (available here) Museums as Assemblage offers a new way of thinking about the dynamism of art museums. Using the theoretical concept of assemblage, this work unpacks relations between visitors, artists, museum staff, and the museum’s nonhuman components. This provides an analytical framework that celebrates the complexity of museums today. This work takes the Museum of Old and New Art (Mona) in Tasmania as its primary case study. Mona is widely recognised in the museum sector as a success story, and as emblematic of the changes in museums in the 21st century. To situate this case study in global trends, I draw on a range of examples from art museums across Australia, New Zealand, Europe and East Asia.&nbsp; Wyatt, D. and J. Pfefferkorn. 2023, December. ‘Dramaturgies of Climate Crisis’. In Critical Stages (28). (available here) Pfefferkorn, J. and E. K. Sunde (2023) ‘Haunted AI’. In xCoAx 2023 Conference Proceedings, Weimar Germany (available here) Wyatt, D. and J. Pfefferkorn. (2023). ‘Echoes in Metadata: Scanning the Refuge Archive Across Time, Texts and Space’. In r. Fensham, T. D. Sumner, S. Ravn, A. Barnwell and D. Butt (eds.) Small Data is Beautiful. Melbourne: Grattan Street Press, pp. 261-283. Pfefferkorn, J. (2021). 'Art Museums and Digital Solidarity,' in Barranha, H. and Henriques, J. S (eds.), Art, Museums and Digital Cultures – Rethinking Change, 1 edn, IHA/NOVA FCSH and maat. pp. 254-264. doi:10.34619/hwfg-s9yy Pfefferkorn, J. (2021). ‘Conference paper: Public museums and pan-demos’ Communicative Cities Research Network (available here) Dwyer, T., A. Kanai, J. Pfefferkorn, J. Fan, A. Lambert (2021) ‘Media Comforts and International Student Mobility: Managing Hopes, Host and Home’ JOURNAL OF INTERCULTURAL STUDIES&nbsp;Sean Cubitt, Nikos Papastergiadis, Scott McQuire, Celia Lury, Daniel Palmer, Jasmin Pfefferkorn, Emilie Sunde (2021) Ambient Images’ The Nordic Journal of Aesthetics | The Nordic Society for Aesthetics Lambert, A. &amp; J. Pfefferkorn (2021) ‘Spectacular Cities and Mobile Subjects’ Scott McQuire &amp; Sun Wei (eds.) Communicative Cities and Urban Space&nbsp; Routledge&nbsp; https://jasminpfefferkorn.com/in-the-media Wed, 24 Jun 2020 10:00:05 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/in-the-media in the media Invited guest&nbsp;‘Rethinking Ethics in the Age of AI Art’ with Ana Tiquia State Library of Victoria LAB Interview (23 March 2025) SBS News In Depth‘AI Art generates cash and controversy at the same time’ with Yasmine Alwakal Invited Guest (2 October 2024)Triple R, Byte Into IT‘Decentring Ethics: AI Art as Method’ with Vanessa Toholka and Dan Salmon Invited Guest (31 July 2023) RTR FM Radio, On the Record ‘Why Artificial Intelligence has Hollywood’s Creatives Worried’ with Jeff Bullen Invited Guest, (27 July 2023) 2SER Radio, Arts &amp; Culture ‘Writers Guild of America and Screen Actors Guild Take on Artificial Intelligence’ with Jono Wakeley Pfefferkorn, J. (26 July 2023) ‘Computer-written scripts and deepfake actors: what’s at the heart of the Hollywood strikes against generative AI‘ The Conversation Interview with The Age (18 April 2022) – ‘No, Google, I meant women’s rugby league, not NRL’ by Marnie VinallDanielle Wyatt and Jasmin Pfefferkorn (March 2022). ‘Creative Process as Disaster Preparedness’, CAWRI. Invited Guest, (30 July 2021) Radio National ‘Life Matters’ with Michael Mackenzie&nbsp; Pfefferkorn, J. (15 Oct 2020)&nbsp;‘ERASING CULTURE: THE ATTACK ON CRITICAL EDUCATION’ Arena online Pfefferkorn, J. (23 June 2020)‘NEGOTIATING SURVIVAL THROUGH CRISIS: ART, GALLERIES AND MUSEUMS’ Arena online https://jasminpfefferkorn.com/conferences-events Thu, 09 Dec 2021 02:47:23 +0000 Jasmin Pfefferkorn https://jasminpfefferkorn.com/conferences-events conferenceslectures &amp; events upcoming2026, September 7Invited panelist: Jasmin Pfefferkorn Who’s caring? Robots, AI and the art of being together 6-8pm, Science Gallery Melbourne Details and tickets here:&nbsp;https://melbourne.sciencegallery.com/events/whos-caring-robots-ai-being-together 2026, October 6 Invited presentation at Tampere University, further details TBD.&nbsp; 2026, October 7-9CODED AESTHETICS (Jasmin Pfefferkorn &amp; Emilie K. Sunde): Constructive Alternatives: A Reflexive Aesthetics for Generated Images Socializing algorithms conferenceLandesbibliothek im Kulturspeicher, Wall 47/51, Kiel Kiel University, Germany<img width="514" height="734" width_o="514" height_o="734" data-src="https://freight.cargo.site/t/original/i/912d65fa9c79318d9aee94012f500f18b0f03d01dfa19607b393285d627baac2/Screenshot-2026-07-04-at-12.31.11PM.png" data-mid="250066625" border="0" src="https://freight.cargo.site/w/514/i/912d65fa9c79318d9aee94012f500f18b0f03d01dfa19607b393285d627baac2/Screenshot-2026-07-04-at-12.31.11PM.png" /> past 2026, July 20Invited panelist: Jasmin PfefferkornAI Art and Eco-Ethics in the MuseumAustralia–Indonesia in Conversation (AIC) hosted at the Faculty of Social and Political Sciences, Universitas Gadjah Mada (FISIPOL UGM), Yogyakarta, Indonesia. 2026, August 01, 11am-3pmNational Communication Museum MelbourneWyrmware WorkshopWorkshop facilitator with Sean McMorrowDetails here: https://ncm.org.au/events/wyrmware-workshop 2026, June 17, 9am-4pmMelbourne MuseumPresenter and workshop facilitator at AI x Global Engagement Training Day 2025, December 11, 7pm-late 432 Queen St Melbourne, 3000 A curated evening by Pseudo Studios and CODED AESTHETICSLine-up:Live@t__morimoto - The Present is an End, Browser performance@jannahquill - Modular performance@girlonroad.tech - Poetry LLMs performanceScreenings @albadri.nora - The Post Truth Museum@andrea_khora - RAPTURE@inessieulle - The Oasis I Deserve Free to attend, donations welcome: https://events.humanitix.com/hylozic-pseudo <img width="4320" height="5400" width_o="4320" height_o="5400" data-src="https://freight.cargo.site/t/original/i/762788dee9bcd82d8528d310f00610f2ba2c483a0d695fbde98135c35c3601d3/Hylozic-Dec-11_alterspace_Final.png" data-mid="241584075" border="0" src="https://freight.cargo.site/w/1000/i/762788dee9bcd82d8528d310f00610f2ba2c483a0d695fbde98135c35c3601d3/Hylozic-Dec-11_alterspace_Final.png" /> 2025, 26 July- 2026, 02 MayDISTRACTION exhibition opening Exhibition runs from 26.07.2025-02.05.2026Details: https://melbourne.sciencegallery.com/distraction 2025, 4 December 9.30am-5pmTaking Stock: Photography and visual media in the context of GenAI Organisers: Jasmin Pfefferkorn; Scott McQuireRegister here: Humanitix<img width="226" height="320" width_o="226" height_o="320" data-src="https://freight.cargo.site/t/original/i/975a0b37cc64ba2f3c2c2dbe5cc46c0a39b1411f24a3a3ec30df756b80d23774/Unknown.jpg" data-mid="241057642" border="0" src="https://freight.cargo.site/w/226/i/975a0b37cc64ba2f3c2c2dbe5cc46c0a39b1411f24a3a3ec30df756b80d23774/Unknown.jpg" /><img width="1812" height="1016" width_o="1812" height_o="1016" data-src="https://freight.cargo.site/t/original/i/9a563daa8dd70e4ac07203fe93dec2c04717b927c1c3145ca01c050f60ed5789/Screenshot-2025-12-09-at-1.27.41PM.png" data-mid="241584577" border="0" src="https://freight.cargo.site/w/1000/i/9a563daa8dd70e4ac07203fe93dec2c04717b927c1c3145ca01c050f60ed5789/Screenshot-2025-12-09-at-1.27.41PM.png" />2025, 25 NovemberFuture Careers Forum&nbsp; DISRUPTING DISINFORMATION Invited panelist: Jasmin Pfefferkorn Details:https://melbourne.sciencegallery.com/future-careers-forum/disrupting-disinformation <img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/1b8bdc860a07196ea3e01b5968939a104d55e169aeabfed2fa1cb651f91abf74/1764122602468.jpg" data-mid="241584542" border="0" src="https://freight.cargo.site/w/1000/i/1b8bdc860a07196ea3e01b5968939a104d55e169aeabfed2fa1cb651f91abf74/1764122602468.jpg" /> 2025, 30-31 October‘Parasitical Resistance and Pluriversalism: How artistic practice disrupts and reclaims AI‘Invited talk: Jasmin Pfefferkorn“Digital Work, Mobilities and Changing Cities in Asia”, organized by the Asia Research Institute, National University of Singapore (NUS)Details: https://ari.nus.edu.sg/events/digital-work-and-mobilities/ 2025, 3 October 9am-5pm‘Hylozoism’ Performance lecture by Mat Spisbah &amp; Jasmin Pfefferkorn for Artists, Machines and the Space Between, part of Melbourne Fringe Festival. Our participation funded by Science Gallery Melbourne’s artist and researcher in residence programme.&nbsp; <img width="2160" height="3840" width_o="2160" height_o="3840" data-src="https://freight.cargo.site/t/original/i/66b655756d7de173f0a35550f30de20bb7e85bae4b248b28692da308daf7d6d3/artists-machines-portrait-1.jpg" data-mid="239132025" border="0" src="https://freight.cargo.site/w/1000/i/66b655756d7de173f0a35550f30de20bb7e85bae4b248b28692da308daf7d6d3/artists-machines-portrait-1.jpg" /> 2025, 20 August 6-8pmBook launch for Decentring Ethics: AI Art as Method Edited by Vanessa Bartless, Jasmin Pfefferkorn &amp; Emilie K. Sunde.Science Gallery Melbourne Details and registration: https://events.humanitix.com/decentringethics 2025, 6 AugustKeynote: Jasmin PfefferkornICADECS: 7th International Conference on Art, Design, Education and Cultural Studies,Universitas Negeri Malang.Details: https://icadecs.um.ac.id/ 2025, 21-25 July ‘The Contemporary Status of AI Art’Creativity and AI Workshop Keynote: Jasmin Pfefferkorn SensiLab, Prato Italy Details: https://sensilab.monash.edu/news-events/creative-ai-workshop-2/ 2025, 2-4 July Interdisciplinary Persepctives on Human and Machine Creativity Organisers: Prof. Iyad Rahwan, Dr. Matthew J. Dennis, Dr. Jasmin Pfefferkorn &amp; Yvonne BialekMax Planck Institute for Human Development, Berlin Details: https://www.mpib-berlin.mpg.de/research/research-centers/chm/conferences/summerschool 2025, 23-29 May‘Production, not reproduction: Generative art as technoheritage’Presenters: Jasmin Pfefferkorn &amp; Anna CaliseInternational Symposium on Electronic/ Emerging Art (ISEA), South Koreadetails: https://isea2025.isea-international.org/ 2025, 8-10 May‘Prose and algospeak: the changing language of AI image generation’ Presenter: Jasmin PfefferkornEthics and Aesthetics of Artificial Images Conference, Università IUAV di Veneziadetails:https://www.iuav.it/it/avviso?id=conference-ethics-and-aesthetics-artificial-images-ea-ai-2025-call-abstracts 2025, 24-26 April‘Mutable and multi-dimensional montage: Ecologies of perception in Huyghe’s Variants’  Presenters: Jasmin Pfefferkorn &amp; Emilie K. SundeCut/ generate: Montage and AI, Université Sorbonne Nouvelle details: https://calenda.org/1217444?file=1 2024, 9 November‘Computational Creativity: An Introduction to the CSIRAC Programming Manual’Invited speaker: Jasmin Pfefferkorn, 9 Objects:Encounters with University of Melbourne Collectionsregistration available through QR code: <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2ddf7b3b452d6bc1e080aea9d66960dc7e4ffa0ffe8ea204321df705c21c4420/RFQ12020-ARTS-SCC-ScalaScreen1-1.jpg" data-mid="220288484" border="0" src="https://freight.cargo.site/w/1000/i/2ddf7b3b452d6bc1e080aea9d66960dc7e4ffa0ffe8ea204321df705c21c4420/RFQ12020-ARTS-SCC-ScalaScreen1-1.jpg" /> 2024, 31 October Photography and the Everyday Symposium Symposium presentation ‘Sociograms: Contemporary Photo-Sharing Practices’Organisers: Scott McQuire, Jasmin Pfefferkorn, and Daniel PalmerThe University of Melbournedetails:https://events.unimelb.edu.au/culture-and-communication/event/41498-photography-and-the-everyday 2024, 16-17 October‘Are Foundation Models a Form of Neo-colonialism in Art Museums?’Presenter: Jasmin PfefferkornBAICON Focus: Bandung International Conference For Cultural Studies, Bandung Indonesiadetails here: https://fsrd.itb.ac.id/baiconfocus/ 2024, 3-4 July‘Making Culture: Human-Machine Entanglement’Invited Speaker: Jasmin PfefferkornRe/Framing: Creativity, Culture,ComputationRMIT University, Melbournedetails here: http://www.reframing-ai.net/ 2024, 24 May‘AI Art and the productive potential of opacity’Presenter: Jasmin PfefferkornTowards and Automated Art? Learning Machines, Human Creativity and UncertaintyUniversidade NOVA de Lisboa details here: https://towardsanautomatedart.weebly.com/ 2024, 18 April‘AI and Art: Innovating Expression’Invited speaker: Jasmin Pfefferkorn Shepp-art-on Festivaldetails here: https://sheppartonfestival.org.au/event/ai-art-innovating-expression/ 2024, 15-19 January‘Surreal Impressions: Deepfaking the Museum through Dalí and Van Gogh‘ Presenters: Jasmin Pfefferkorn &amp; Anna CaliseThe Art Museum in the Digital AgeBelvedere Research Centre, Viennadetails here: https://www.belvedere.at/en/digitalmuseum2024 2023, 2 December ‘Study-In On AI + Race + Art’Invited speaker: Jasmin PfefferkornMelbourne/ Naarmdetails here: https://artandaustralia.com/58_1/p143/study-in-on-ai-race-art 2023, 8-11 November‘Countering power: Towards a reflexive aesthetics of synthetic media‘ CODED AESTHETICS: Jasmin Pfefferkorn &amp; Emilie K. Sunde4S Society for Social Studies of Science, Honolulu Hawaiidetails here: https://4sonline.org/ 2023, 6.00-7.00pm 26 September‘Book Launch: Museums as Assemblage’ Jasmin Pfefferkorn Livestream recording here:&nbsp;https://www.youtube.com/watch?v=k_mU-E8h1Us 2023,21 September‘Decentering Ethics with AI Art’ CAIDE AAIDE: Jasmin Pfefferkorn &amp; Emilie K. SundeHADES (Humanities and Diverse E-Research Scholars), University of Melbournedetails here: HADES 2023, 5-7 July ‘Haunted AI’CODED AESTHETICS: Jasmin Pfefferkorn &amp; Emilie K. SundexCoAx,&nbsp;11th Conference on Computation, Communication, Aesthetics &amp; X, Weimar Germanydetails here: https://xcoax.org/ 2022, April Expert &amp; Judge for ‘Psyche X Mental: Frame of Mind’, Science Gallery – finalist works can be found&nbsp;here 2022, 18-19 Feb ‘Finding Refuge in Small Data: Creative Process as Climate Crisis Intervention’Dr Jasmin Pfefferkorn &amp; Dr Danielle WyattSmall Data is Beautiful: Analytics, Art &amp; Narrative Symposium, The University of Melbourne 2021, 18 Nov Book Launch: Museum of the Commons (Nikos Papastergiadis) The Inaugral John Berger Memorial Lecture The Greek Centre, Melbourne 2021, 22nd-23rd April Presenter:&nbsp;Collaboration in a time of crisis: Public art museums, social networks, and digital solidarity. Paper presented at the International Conference of Art, Museums and Digital Cultures, Lisbon&nbsp; 2020, 12 Nov Presenter:&nbsp;Public Museums and the Pan-demos. Paper presented at the Communicative Cities Research Network, Singapore Watch here 2019, 3 May Presenter:&nbsp;The Affective Museum Assemblage. Paper presented at the Slow Reading Symposium. Melbourne, Australia&nbsp; 2018, 18 June Presenter:&nbsp;Cosmopolitanism and Museum Culture. Paper presented at the Cosmopolitan Intimacy: Space, Difference and Media Symposium. Melbourne, Australia&nbsp; 2014, 3 JulyPresenter:&nbsp;The Emergent Museum Paper presented at the Crossroads Cultural Conference. Tampere, Finland. 2014, May &amp; 2013, August Speaker:&nbsp;Visitor Experience and Curatorial Strategy at Mona. Papers presented at the Mona Effects Seminars. Hobart, Tasmania.&nbsp; <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/b433c76961772c9bc19cb4331d59b226abdeac9e5baeae31ef7a11d7aac08cdf/IMG_2057.jpeg" data-mid="126897513" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/b433c76961772c9bc19cb4331d59b226abdeac9e5baeae31ef7a11d7aac08cdf/IMG_2057.jpeg" /> lectures Lecture, Transforming the Art Museum with Digital Media. Presented at The University of Melbourne, Australia 6 May 2024 Lecture, Towards a New Universalism. Presented at The University of Melbourne. Melbourne, Australia 11 October 2021 Lecture, Data, AI &amp; Digital Ethics. Presented at The University of Melbourne. Melbourne, Australia 4 October 2021 Lecture, Methodologies of Mobility. Presented at The University of Melbourne. Melbourne, Australia 4 October 2021Lecture, Media Art and Digital Aesthetics. Presented at The University of Melbourne. Melbourne, Australia 4 October 2021 Lecture, Cultural Cosmopolitanism Presented at The University of Melbourne. Melbourne, Australia 27 September 2021 Lecture, Mobilising Art in Public Place: Art and Democracy in the Age of Digital Participation Presented at The University of Melbourne. Melbourne, Australia 23 August 2021 Lecture, Global Media and the Transnational Public Sphere Presented at The University of Melbourne. Melbourne, Australia 16 August 2021Lecture, Digitizing Photography. Presented at The University of Melbourne. Melbourne, Australia 9 August 2021 Lecture, Hospitality and the Stranger. Presented at The University of Melbourne. Melbourne, Australia 17 August 2020 Lecture, Museums as Assemblage: Practice and Potentiality Presented at The University of Melbourne. Melbourne, Australia 9 May 2019 Lecture, Politics of Affect. Presented at The University of Melbourne. Melbourne, Australia 1 October 2018 Lecture, Postmodern Governance: The Surveillance Society Presented at The University of Melbourne. Melbourne, Australia 14 May 2018 Lecture, Media History: Internet Governance Presented at The University of Melbourne. Melbourne, Australia 26 March 2018 Invited lecture, Post-structural research methodologies. Presented at RPP Seminars for Cultural Studies, The University of Melbourne. Melbourne, Australia. October 2016, May 2017.